22 aerial looks for fast grading across a full drone shoot’s selects.
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The files themselves, because a browser cannot touch your timeline. Once you know which look fits, you need it applied to 40 clips in Resolve at once, or to a whole import in Lightroom on the way in, or copied across a folder of stills — offline, on the machine that has the footage on it, in the for
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The yardstick is inside the pack and you can count it yourself: 22 named looks, every one of them a different set of values, each written out twice — once as a .cube LUT that Resolve and Premiere read, once as an .xmp that Lightro
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