[Your Name] — graphic design that has to hold up in print and on screen

I build identities, packaging and campaign material for [the clients you want more of — independent food brands, cultural venues, B2B software teams].

Every project ends with a handoff pack: editable source files, press-ready and screen-ready exports, and a short guide so your team can keep using the design without me in the room.

Taking on new work from [month]. Based in [City], working with clients across [regions and time zones].

See recent work

What I do

Six kinds of work, one standard of finish. If what you need is not here, say so — I will tell you honestly whether it is mine to do.

Brand identity

Wordmark, lockups drawn for the sizes you actually use, a type and colour system, and the rules that stop it falling apart in someone else's hands.

Packaging and labels

Dielines built to your printer's template, mandatory copy laid out so it stays legible at shipping size, and specifications agreed with the press before final artwork.

Print and editorial

Reports, catalogues, menus, posters: a grid that holds, a hierarchy that reads, and files exported with bleed, crop marks and the colour profile your printer names.

Presentation and pitch material

Slide systems your team can extend, built with your real content in the layouts rather than grey placeholder blocks that collapse the moment a sentence gets long.

Campaign and social assets

One idea, resized properly: every placement gets its own crop and its own type size, instead of a single artwork squashed into shapes it was never drawn for.

Design systems for the web

Type scale, spacing steps, colour tokens and component sheets handed to your developer in the format they asked for, with the edge cases already drawn.

Selected work

A few recent projects. Each links to the full story — the brief, the constraint it had to solve, and what actually shipped.

[Project name] — visual identity

[Client type] · [year] · [scope]. [One line on the visible result: 'a mark that reads at favicon size and on a three-metre banner'.]

[Project name] — packaging range

[Client type] · [year] · [number of SKUs]. [What the range had to do on a crowded shelf, in the client's own words.]

[Project name] — annual report

[Client type] · [year] · [page extent]. [The hard part: dense data, a two-week window, a printer already booked.]

[Project name] — exhibition and signage

[Client type] · [year] · [venue]. [What had to be legible from how far away, and what the material budget allowed.]

[Project name] — campaign system

[Client type] · [year] · [placements]. [One idea carried across formats without a single squashed export.]

[Project name] — design system for the web

[Client type] · [year] · [components delivered]. [What the developers received and how quickly they shipped with it.]

All projects

How a project runs

A short call, a written brief, a fixed quote. Then discovery, concepts, refinement, production and handoff — at any moment you know which stage we are in, what is coming back to you and when.

No surprise invoices: the quote lists what is included, and anything outside it is priced and agreed before it starts.

The full process

Have something to make?

Tell me what it is, when it has to exist and roughly what you have to spend. You get back a plan and a price — or the name of someone who fits the job better than I do.

Start a project