Wedding Videography LUTs for Every Light on the Wedding Day

For wedding videographers: 22 .cube looks, one per light the couple walks through: hotel tungsten, church, noon sun, golden hour, reception LED, candlelight, plus 2 black-and-white. Rec.709 input.

Original: sample test frame (tungsten skin, white dress, dark suit, LED wall)

Swatch in the frameBeforeAfter this look

Your frame never leaves this page: the look is applied in your browser, nothing is uploaded.

Why one free wedding LUT is not enough

A wedding day has at least six light sources. A LUT does not know which one it is looking at: Golden Hour Warm on tungsten-lit skin (#D98C55) pushes red to the limit (#FF984C) and the vows go orange. Church Tungsten Correct on the same skin gives #CC9B75. One look per light, matched to the scene, is what keeps the couple's skin the same from the hotel room to the dance floor.

Input colour space (read this first)

These LUTs expect Rec.709 footage. On S-Log3, C-Log3, V-Log or N-Log, apply your camera maker's Log-to-Rec.709 conversion LUT or a colour space transform first, then the look. On raw Log footage the colours will be completely wrong.

Install

  1. Premiere Pro: Lumetri Color › Creative › Look › Browse, pick the .cube.
  2. DaVinci Resolve: copy the .cube files into the LUT folder, then in the Color page right-click the LUT browser › Refresh.
  3. Photoshop: Adjustment layer › Color Lookup › 3DLUT File › Load 3D LUT.

Menu names differ by version and UI language. The .xmp presets carry exposure, contrast, saturation, temperature and tint only; lift, gamma and gain live in the .cube files.

Open full tool → getreadystack.com