Cinematic LUTs Pack for iPhone & Android Filmmakers

For phone filmmakers: 22 .cube looks, one per scene a phone films: noon sun, golden hour, neon night, tungsten cafe, office LED, concert stage, plus 2 black-and-white. SDR Rec.709 input.

Original: sample phone frame at noon (skin, sky, grass, neon, lamp glow, shadow)

Swatch in the frameBeforeAfter this look

Your frame never leaves this page: the look is applied in your browser, nothing is uploaded.

Input colour space (read this first)

These LUTs expect SDR Rec.709 footage. On supported models, iPhone records video in HDR. To turn off HDR recording, go to Settings > Camera > Record Video, then turn off HDR Video. On Android, turn off the HDR10+ or HDR video switch if your camera app has one. For HDR, HLG, Dolby Vision or Apple Log clips you already shot, convert to Rec.709 in your editor first, then apply the look. Skip this and the colours come out completely different from this preview.

Why one look for the whole video breaks

A LUT moves every pixel by the same rule and does not know which light it is looking at. Golden Hour Glow on noon daylight skin (#E0AC8C) pushes red to the limit (#FFBD8E). Noon Sun Tame on the same skin gives #C0A18D and lifts the shadow from #23262D to #3E4045. In-app phone filters stay inside that app and do not export as a .cube your editor loads.

Install

  1. Premiere Pro: Lumetri Color › Creative › Look › Browse, pick the .cube.
  2. DaVinci Resolve: copy the .cube files into the LUT folder, then in the Color page right-click the LUT browser › Refresh.
  3. Final Cut Pro: add the Custom LUT effect and choose the .cube.
  4. Photoshop: Adjustment layer › Color Lookup › 3DLUT File › Load 3D LUT.

Menu names differ by version and UI language. The .xmp presets carry exposure, contrast, saturation and a white-balance shift for JPEG/HEIC photos; lift, gamma and gain live in the .cube files.

Open full tool → getreadystack.com